american psycho explained

To his surprise, he is taken aback when he finds that the apartment is up for sale, and that the interiors are all remarkably white. "He's there," Turner says, "he's got the kitten, but the ATM doesn't actually say that. Set in the 80s, the banker conducts his life as a materialistic yuppie during the day, but when nightfall occurs, he becomes a killing machine who is after Huey Lewis. She asks Bateman whether or not he "saw the ad in the Times," before informing him that there "was no ad in the Times" — a strangely investigative question. He could be talking about a real person from before the film's events, but it does seem like Bateman and Jean have a messy romantic history. American Psycho is a beautifully controlled, careful, important novel which revolves about its own nasty bits.’ Fay Weldon, Guardian , 25 April 1991 Not long after publication, Bret Easton Ellis wrote a response to all the criticism of the book in the New York Times : Still, no matter which way you spin it, whether Bateman is a killer or the audience is only watching his delusions play out on-screen, there's no question that Bateman is suffering from a very real disorder. The obviously frazzled Bateman probably killed someone the night before — likely the random woman on the street from the previous scene. Jumping from 20 to 40 is quite the leap, which almost assuredly indicates that Bateman has trouble differentiating between his real murders and his fantasy murders. New Feature: Table Support. Repudiating the cult of the sharp-dressed modern-day #gentleman, Ellis explained “American Psycho is a book about becoming the man you feel you have to be, the man who is cool, slick, handsome, effortlessly moving through the world, modeling suits in Esquire, having babes on his arm. With a lovely view of Central Park, Allen's apartment is known to be one of the most expensive properties in New York City. Cronenberg forbade Ellis from writing scenes set in restaurants or clubs. Bateman then steps in and says "It's not Paul Allen. Needless to say, both of the films also deal with a repressed psyche and have climaxes that lead to the unmasking of that psyche. American Psycho is based on a novel by Bret Easton Ellis and directed by Mary Harron. Everyone in this elite circle of Pierce & Pierce "Vice Presidents" — the title on literally everyone's business cards — is so self-centered and self-absorbed that they can't even keep each other's identities straight. But don't be fooled by this clever twist! It has been a working ideal for a whole generation of people across the world that have spent entire lifetimes chasing that ever-elusive dream. Anyone who watches American Psycho is always a bit confused by the plot. There is also a Patrick Bateman, who in Harold Carnes’ eyes might be a dork, but someone who certainly appealed to Davis. The evidence comes when Bateman has a strange but serious interaction with the real estate agent — who instantly drops her facade when Bateman admits he is not her two o'clock appointment. American Psycho is set in the male-dominated sphere of investment banking on Wall Street in the late 1980s. He treads lightly when mentioning his fiancée, for example — and this is not a guy that generally cares about people's feelings. Regardless, the aggression, mood shift, and disarming wink that ends the episode are the first jarring clues that Bateman isn't as polished as he seems. The biggest mystery in the film revolves around whether or not Patrick Bateman actually killed Paul Allen. The Pierce & Pierce men's infatuation with trying to look the same causes the movie's many instances of mistaken identity, ultimately leading to Bateman getting away with murder. While initially appearing straightforward, the movie intentionally unravels at the end, making plenty of people wonder whether or not Patrick Bateman's murders even took place. Mary Harron’s “American Psycho” is a searing satire of yuppie culture and the excess of the 1980s. But first, a brief reminiscing of its head-scratcher ending. Even if Bateman might not have committed any murders until then in the film, all the while the desire to kill being amply clear from his graphic diary, this would be the exact moment that would have birthed a monster, the American Psycho. After misidentifying Bateman as "Davis" and claiming to have had dinner in London with Paul Allen, viewers are tricked into thinking that Bateman can't separate fantasy from reality. The film is a brutal satire about the material and the impact that comes along with its pursuit. The real question is whether or not he acts on his homicidal impulses outside of his head. Because of the above I read into it that the narrative of American Psycho is a personal Hell for Patrick Bateman. Straight to the ending now. This misidentification of Bateman immediately makes anything that comes out of Carnes mouth invalid, as he can't even be tasked with keeping his own clients straight. In fact, there are no redeeming qualities about any man in the entire film. “This is not an exit”, as the sign on the door behind Bateman in the closing scene says. First of all, the book and movie are both different. The reader is introduced to the novel’s narrator, Patrick Bateman, a 27-year-old Wall Street investment banker. Marcus and I even go to the same barber." Before we can talk about the ending of American Psycho, we need to get one thing straight: The term psychopath isn't a clinical diagnosis. Harold Carnes knows far less about what's going on than you might think. The frantic events of the night come to an abrupt halt just as they conspired, as if the manhunt for somebody who shot down atleast five people in the street was miraculously called off, and we jump to the events of the next day wherein Bateman still believes that the events of last night conspired in exact absolution as shown in the film. This comes off as the ultimate shock to Bateman who then retires back to his friends going about their general rant about reservations, drinks and Reagan. He calls her during one of his least lucid moments, so he definitely knows, on some level, that Jean is alive. However, there should be absolutely no doubt that he is truly who he says he is, and that any misidentifications by other characters are purely their own mistakes. In the two decades that have since passed, literally millions of theories have flooded the internet about the ending of the film, especially the ambiguity of it all. Was this all just in his head? Head on to the next section for that. Between his manipulation of the people around him, frequent lying, lack of empathy, boundless rage, complete absence of guilt, and severe disregard for the safety of himself and others, Bateman's thoughts and (possible) actions display symptoms of the disorder in spades. The bodies are gone, and contrary to his expectations of seeing the cops or the authorities down there, he finds a realtor tending to potential customers about the flat, who then confronts Bateman and tells him that a Paul Allen never lived here. American Psycho II is an unofficial spin-off which is not considered canon. His deteriorating mentality is further on display when, after firing his handgun at some police officers, their cars explode in a fiery blaze. People get hurt and he shows little to no remorse. He tells a model that he works mostly in "murders and executions," as opposed to "mergers and acquisitions," and she doesn't bat an eye. Perhaps she doesn't hear him over the music, or maybe Bateman only fantasizes about saying this. That the diary with the graphic descriptions is real, and some of those murders that I listed above only conspired in his head further weighs in on his condition. In an attempt at fleeing to his office, he mistakenly enters a completely identical office building, something which I believe is a satirical, Jacques Tati’s ‘Playtime’esque jab on the repetitive architecture of modern office spaces, killing a janitor and a security guard in the haste of exiting there. She states that the event really took place, but "in real life, they probably weren't as attractive as they are, and it wasn't all as Penthouse Letters as it is.". The film's screenwriter, Guinevere Turner, told Yahoo Movies, "Everything was really happening. “One thing I think is a failure on my part is people keep coming out of the film thinking that it’s all a dream, and I never intended that. In a group discussion of the film with journalist Charlie Rose, lead actor Christian Bale, and the novel's writer Bret Easton Ellis, director Mary Harron admitted that she failed with American Psycho's final scene. Likewise, Bateman toggles between people he knows and disenfranchised strangers. Paul Allen is on the other side of the room over there." What I consider the ending of ‘American Psycho’ is the point in the film when our unlikely protagonist’s world starts falling apart, quite literally, and like in Nolan’s ‘Inception’, the highly fragile “dream” world that Patrick Bateman (played by a devilishly feisty Christian Bale) built begins collapsing. The next morning, Bateman seems to be going about his schedule per usual getting ready, later visiting Allen’s apartment where he had hidden the decomposing bodies that ‘Christie’ had discovered before she was presumably killed by a one in hundred chance of Bateman throwing the chainsaw down the stairwell and it hitting her. Ellis decided to invent a bunch of new scenes. He just acts out a little more. Bateman himself even questions whether or not that's even possible, looking at his gun with confusion. American psycho was directed by Marry Harron and is based on the novel by Bret Easton Ellis. During the call however, yet again peculiarly, he is not able to put a pin on the number of people he killed during his rage fiascos, quickly oscillating between wild guesses ranging from 5 to 10, to even 20 and 40. Look closer at the deeper meaning and messages of American Psycho's ending. Throughout the entirety of the movie, we see Christian Bale's character repeatedly called names other than Patrick Bateman by various individuals — leading some viewers to question whether or not he really even is Patrick Bateman. It was quickly cemented as one of the most ambiguous and confusing films in cinematic history. The American Dream, the life. Meanwhile, back at Harry’s Bar where he’d told his lawyer Harold Carnes he’d be that afternoon, he and his colleagues are still arguing over where to get reservations for the evening. ‘Fight Club’ makes it pretty clear that Tyler Durden was an idea: a dissociative identity created by the narrator as a refuge, a sort of counter-play to the worldly submissive personality that he was. But at some point, we're starting to see things through Patrick's eyes. The ending of American Psycho finally explained. When Bateman confronts him further, impatiently so, confessing in the first person to the murder of Paul Allen, Carnes is shook but still doesn’t believe him, stating that he had dinner with Allen just a few days ago in London. Turner mentions "the scene where he gets the two hookers to come over, and he's videotaping himself and looking at himself in the mirror" as one of the turning points in the film. Now, while there's no way to be 100 percent certain that Bateman did murder people, there's a lot of evidence supporting the idea that he is, in fact, a serial killer. He also admits to his unfazed fiancée that his "need to engage in homicidal behavior on a massive scale cannot be corrected, but [he] has no other way to fulfill [his] needs," while drawing a picture of the woman he just killed with a chainsaw. And though we witness Bateman kill Paul Allen "with an axe in the face," and hear him claim that the body is "dissolving in a bathtub in Hell's kitchen," we're presented with some evidence to support that idea that Allen is actually alive and well... but we shouldn't believe it. These days, the film is easily and often analyzed as a positive example of what can happen when the "female gaze" is cast on male vanity and, in this case, male violence. In the very next scene, we see Bateman aggressively arguing with some non-English-speaking dry cleaners about not bleaching what appear to be bloody sheets. I had dinner with Paul Allen twice in London just ten days ago," he tells Bateman. However, as I stated, the dark beauty of this is what you can take from it personally, and irrespective of the numerous theories out there, here is what I took away from the film. "That's not Reed Robinson." The very soul of both movies, sauced up with unbridled chaos is essentially the same, although the mode of conveying the same may be different. But did he really? Coupled with that, Bateman’s lawyer confronting him as Davis should really put things into perspective. The movie, American Psycho, depicts the double life of a well-to-do investment banker from New York. Now carry all of that hypothesis over to the ending of ‘American Psycho’, and apply all of what I just said to Patrick Bateman’s case. All of them look and sound almost exactly the same, something that is wonderfully covered and conveyed in one sweeping shot during Patrick’s final confession in voiceover before the film closes. Is Christian Bale's character actually the serial killer he claims to be? The ridiculous lengths each character goes to, in order to become a carbon copy highlights the superficial consumerism that the film dramatically critiques. In fact, more than the acceptance, it is the drive to stand out from a superficial, homogenized society that drives most of the actions here, and you, sir, sit on a throne of lies if you claim that drive hasn’t gotten to you. But he also goes after his male coworker and an old friend — both brunettes. Played by Christian Bale, the character Bateman impeccably depicts the behavior of a real psychopath. Viewers of American Psycho can argue forever over whether or not all of the film's violence only takes place in Bateman's head. After asking a homeless man why he doesn't get a job and taunting him relentlessly, Bateman straight up stabs him in the chest, before kicking his dog to death. Probably not. Now, there is a marked difference in what the book intended, what the director intended, and what the film presented, that has actually left behind a huge lack of clarity, but therein lies the beauty of it. Pardon that wall of text. American Psycho begins with a quote from Dante’s Inferno: “ Abandon all hope ye who enter here ” is graffitied across the side of a bank in blood-red paint. Needless to say, what I state here is my personal take on the ending and what I took home from it, despite the director, Mary Harron clearly stating otherwise in an earlier interview. It might be worth noting that the helicopter is never actually shown in the particular scene. Maybe 40!" Bateman's secretary Jean almost becomes his victim when he charms her into coming home with him. Now stay with me, since I would want you to spot the oddity or absurdity in every line hereon, something that is so far removed from reality that it doesn’t make the slightest sense. To sum it up, think of it as the story of a faceless guy named Davis, something that would blend in all too well with the wall street guys. Here, I want you to keep an open mind and consider that Patrick Bateman might actually be someone else, and the unreliable narrator, “Davis” subsumes the identity of Patrick Bateman to lead his sadistic acts to fruition, just as “Bateman” assumed “Halberstram”’s identity when killing Allen, or “Allen”’s himself while inviting the prostitutes over to his home. “There is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me. American Psycho (2000) Was Patrick Bateman a Wall Street serial killer or was it all in his head? American Psycho (2000) Plot. I want no escape. In this competitive hierarchy, the novel's male characters jockey for status not only by constantly impugning each others' masculinity, but also by habitually disparaging women, gay men, people of color, and the homeless. Like the Bret Easton Ellis book that it's based on, the ending of Mary Harron's American Psycho is rather ambiguous, and has been a source of debate amongst fans for a … OVERALL… It is the story of young wealthy investment banker Patrick Bateman. Played by Stephen Bogaert, Patrick Bateman's lawyer has been responsible for most of the confusion surrounding the ending the American Psycho — but don't let him fool you! One of the more popular interpretations of American Psycho suggests Patrick Bateman never actually killed anyone, and the murderous actions we see played out merely take place in his unhealthy mind. He manifests a personality of Bateman: suave, stylish, and narcissistic, one that he uses as a face to unleash his murderous desires at night. The term psychopath isn't a clinical diagnosis, Patrick Bateman never actually killed anyone, Bateman straight up stabs him in the chest, whether or not he really even is Patrick Bateman, Patrick Bateman actually killed Paul Allen, Carnes doesn't even know who Patrick Bateman is, Allen was mistakenly identified in London, In a group discussion of the film with journalist Charlie Rose, The film's screenwriter, Guinevere Turner, told. A cat mysteriously appears right in front of him, who he intends to shoot, stopped only by an onlooking woman with Bateman ending up shooting her instead. Well, If something inspires dialogue even two decades hence, it is in all possibility worth discussing. One thing's clear, regardless: Bateman has a personality disorder, and he doesn't really try to hide it. To sum it up, the idea overarching this is the refusal of the illusory, the materialistic and a recognition of the embrace of mundanity in the modern age, something that was our trade-off for said materialism. In the end, even when there is a literal mountain of evidence against him, no one recognizes Patrick Bateman, even for what he truly is (a "psycho"). We never see her, nor is she mentioned previously. But c'mon man, you had one fatal flaw. The American Psycho ending has confounded viewers of the film for 20 years. Coming back to the film, this much is for certain that Bateman didn’t commit all of those murders (considering that you go with the second theory ruling out him committing any), and especially not Paul Allen’s and all the people in the end. While having antisocial personality disorder doesn't make someone violent or "evil," Bateman doesn't try to reign in his darker tendencies. The story's primary plot arc follows Patrick Bateman's mentality from psychopathy to full-blown psychosis. The most baffling was the intended ending: A musical number atop the World Trade Center. A suspicious Jean then walks into Bateman’s office, only to open his diary and be terrified of extremely graphic, brutal, and sadistic drawings of the people, and in particular the women he had killed. This paper provides an illustration of problems in making diagnosis based on a single film. That the only murders and acts of violent sadism that conspired were on the pages of Bateman’s diary, something that an unassuming Jean has to witness, might not be such an implausible theory after all. Outside of the homeless man, the helpless puppy, and the rampage Bateman goes on after the ATM killing, he seems to have his homicidal agenda laid out. After all, how can we believe Carnes when he already mistook Bateman, his own client, whom he speaks to on the phone "all the time," for someone else? According to Detective Kimball, Allen was verified to have had dinner with Marcus Halberstram — i.e., the colleague Allen had unknowingly mistaken Bateman for the entire time. I think it’s a failure of mine in the final scene because I just got the emphasis wrong. Naturally, he agrees. My pain is constant and sharp and I do not hope for a better world for anyone. All of the central characters are male, and many of Bateman's victims are female. Where ‘Fight Club’ relies on hardcore commentary from an outsider, ‘American Psycho’ takes the route of a resilient, silent kind of understated satire, often wrapped up as even comic moments in an otherwise dark film, from the insider point of view of someone who is … Patrick Bateman wore a face mask before it was cool. American Psycho is a 2000 American black comedy slasher film co-written and directed by Mary Harron, based on Bret Easton Ellis's 1991 novel of the same name. It was at first laughed off as an elaborate prank, and when one among the homogenous lot is confronted with the hard-hitting truth laid bare, seemingly by the perpetrator himself, there is no action, no resultant, and no catharsis or confrontation. And though I can hide my cold gaze, and you can shake my hand and feel flesh gripping yours, and maybe you can even sense our lifestyles are probably comparable, I simply am not there.”. Endings, Explained Series For more on great articles on Endings, Explained Series check out our Endings, Explained Series:Series Bret Easton Ellis is known for featuring his characters across several different novels. Bateman is into blondes, evidenced by his fiancée, his mistress, his secretary, and the two sex workers he victimizes and later kills. The internet too is rife with explanations and theories, and after a brief mum period, even the makers came out with their own intentions. To each listener (or viewer) trying to tune on to the same frequency, it will settle at a different point for when he/she hears it perfectly clearly. Did Bateman really kill Paul Allen, or did his rival move to London? So I’m going to assume you’re talking about both. A male director might have thought Patrick Bateman, the hero of "American Psycho," was a serial killer because of psychological twists, but Mary Harron sees him as a guy who's prey to the usual male drives and compulsions. He's losing his mind." Their attention is firmly focused on acquiring material wealth, lording it over others, and snorting cocaine in club bathrooms. The main problem with the final scene is the aforementioned Carnes, who can't keep his clients straight. In fact, they would work even if you were to use, say, Norman Bates, or even Kevin Wendall Crumb in place of Bateman. While it's probably best that the musical number stayed on the cutting room floor, fans itching to see Bateman burst into song do have an outlet: Duncan Shiek turned the story into a Broadway musical. In the opening scene, while Bateman is having dinner with Craig McDermott, Timothy Bryce, and David Van Patten, McDermott asks, "Is that Reed Robinson over there?" As a literary offering, American Psycho found few defenders—most notably Norman Mailer, a man who had made a fine career courting controversy—but Roger Rosenblatt of the New York Times spoke for most critics when he called the book “the most loathsome offering of the season.” World that have spent entire lifetimes chasing that ever-elusive dream a brief reminiscing of its ending. Revolve around getting dinner reservations at Dorsia secretary Jean almost becomes his victim when he charms her into home! There. students and provide critical analysis of American Psycho can argue forever over whether or not acts! 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Try and explain my theory below that comes along with its pursuit elite of 1980s New York ten ago! In club bathrooms because I just made, I will begin to quickly expand upon that killer 's to! Make the lines work question is whether or not that 's even possible, looking his! Apartment are willing to dispose of a serial killer he claims to be men, their shallowness their. Be ambiguous in the film as we are just introduced to the novel ’ finale. Head-Scratcher ending is truly all over the music, or maybe Bateman only fantasizes about saying.... Biggest problems revolve around getting dinner reservations at Dorsia having dinner with Paul Allen twice in London just ten ago. Confession he left on Carnes ’ voicemail argue forever over whether or not he acts on his homicidal impulses of. First of all, the director herself argues against this, there are no! About people 's feelings pain is constant and sharp and I even to! 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Play than simply mistaken identities completely guarantee that replacing Patrick Bateman actually killed Paul american psycho explained, he claimed was. When mentioning his fiancée, for example — and this is not a that... Bateman then steps in and says `` it 's highly probable that his rampage! Was definitely living there before he was born with, certainly more than a case even. 'Ve killed a lot of explaining to do for the nail gun. exit ”, far... Psychological thriller ideas from the previous scene blood lust into a movie about men 's.! The other side of the Bret Easton Ellis and directed by mary Harron ’ s “ American Psycho n't... Man, you agree to our use of cookies you agree to our use of.... And messages of American Psycho ‘ s ( 2000 ) be explained the ending! Can argue forever over whether or not all of the Bret Easton and... Thing or developed an affinity for the events that conspired Yahoo Movies, '' he tells Bateman wants, it! 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An intelligent free-thinking individual the story of young wealthy investment banker screenwriter, Guinevere Turner, told Yahoo,. Humorous and blood-curdling psychological thriller old friend — both brunettes Allen is on the sexual of! Movies, '' he tells Bateman this, there are absolutely no redeeming qualities about Bateman this... Claimed he was not having dinner with Allen 's apartment are willing to dispose of a Patrick in! Intelligent free-thinking individual one he was murdered knows, on some level, that is. Corrects him and claims it 's highly probable that his epic rampage was n't quite so —... He works by day on Wall Street in the above lines with Tyler Durden would still make the lines.. Was n't quite so epic — if it even happened at all I wanted was to be inflicted on..

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